By Mark S., (c)
Japan Skates 2007.
For photos from
the interview, please click
HERE!
An interview with Korean
superstar Yu-Na Kim has been
on Japan Skates' "wish list"
ever since the World Junior
championships in Kitchener,
Ontario, in February of
2005. Her free
skate to "Papa Can You Hear
Me?" made believers out
of us.
Two-and-a-half years later,
Yu-Na has more than
delivered on her promise in
the senior ranks. She
is the world bronze
medallist, a favourite to
medal at the next Olympics,
a hero in her native Korea
and one of the top rivals of
the Japanese team.
Immediately following the
2006 season, Yu-Na started
training with Canadian
skating legend Brian Orser
at
the Cricket, Skating and
Curling Club in Toronto.
The partnership was made
long-term following last
year's Skate Canada in
Victoria. I had made
Brian's acquaintance back in
early August while
scheduling the interview at
the Cricket Club with Yukina.
When I saw him at Thornhill
Summer Skate later in the
month, I asked if we could
talk to Yu-Na and he agreed
to an early October
interview, after she had
wrapped up some appearances
in Korea and her photoshoot
for International Figure
Skating magazine. Our
reasons for wanting to
interview Yu-Na were
primarily our admiration for
her skating and an interest
in her life in Canada and
partnership with Brian.
We were also sure that Japan
Skates' readers would be
interested in learning more
about one of the world's
most important skaters, and
one whose story will no
doubt be entwined with that
of the top Japanese lady
skaters in the coming years.
As it turned out, the
timing of the interview
ended up being a little too
close to the start of the
competitive season for
Yu-Na's and her family's
comfort level, but she
graciously agreed to a
meet-and-greet session with
us, with Brian generously
offering to do the interview
on her behalf. In this
conversation, I sought to
learn more about Yu-Na and
her relationship with her
coach. I avoided
asking for specific details
on her back injury and the jump combinations she
was preparing for this
season, since 1) this
information is on public
record (or soon will be) and
2) I did not want to make
the interview appear to be a
mere information-gathering
session for a resource that
deals with her toughest
competitors. I hope
that the conversational and
friendly style of the
meeting will appeal to our
readers and help them get to
know and appreciate better
this dynamic coach-student
partnership.
JS:
Japan Skates
BR:
Brian Orser
JS: What led you to
becoming Yu-Na's coach?
Was it her decision, or the
Korean Federation's?
BR: She came here
to work with David Wilson
for last year's free
program. That was
just the beginning of May, and she came for three
weeks. Her coach at
the time had asked me to
work on triple Axel and
triple loop and to keep an
eye on her, so I did, and I
taught her each day.
And then, after she was
finished with her program, I
found out from our skating
co-ordinator that she had
just signed up for the whole
summer. So that
was good. And we were
over on the curling rink;
that's a small rink so she
never even got a taste of
the (figure skating) rink.
She
wanted to stay, so I adjusted
my schedule to fit her in,
and she stayed for the
summer. At
the end of the summer they
had asked me to be her coach,
and I had to say "no" at the
beginning because I still
had touring obligations, and
it's hard to run around and
go back and forth and do
things.
So I had to turn down that
opportunity. But they
still wanted me to go to
Skate Canada with her.
And at
Skate Canada they asked me
again to be her coach.
Her mom, that is, her mom
and Yu-Na
through a translator.
They call all the shots.
So after a few
times that she'd asked me to
coach, that's when I really
made my decision to do my
last tour and make the
transition. Because I
already had this job here; I
was directing the program
here at the club and
everything was pointing to
being a full-time coach.
And with Yu-Na... they
were quite persistent, so I
made the decision and said
"yes".
JS: I sounds like
you had a good personal rapport
and chemistry with Yu-Na
during your trial period.
BR: Yeah! It
was interesting
because there was a language
issue because obviously I
don't speak Korean and she
wasn't speaking English at
the time. So.. it was
kind of nice, actually! We had
sort of worked with the
visual, physical movements
that I could just tell by
eye contact whether she
understands what I'm
trying
to get across. And she is
technically so sound there
was
not a whole lot I needed to
do. What I find I do
mainly is now I'm just
kind of managing, and making
sure that she is on track,
and that she has everything
that she needs to be the
best in the world, whether
it's physiotherapy, and with
ice, and just a really good
condition and a place for
her to work.
Listen to Brian
JS: How is her
English now, and her
confidence?
BR: Her English is
great! It's funny but
actually she came here
about a month before
Worlds. In the
final stretch to Worlds, she
had had her braces taken
off, and she was like a
different person. She
had such confidence and she
was smiling.
And most of those pictures
when she was a junior, she
never smiled with her mouth
open
and now she has a beautiful
smile and she has a really
good relationship with her
mother and she seems to be a
much more mature young woman
now, and not a really good junior
girl.
Listen to Brian
JS: Is she living
here with her mother?
BR: The mother, and she
has her trainer, who is also
her massage therapist, her
physiotherapist. So
that person plays a lot of
roles. She does all of
her training with her, she
gets her warmed up, she
warms her down, she keeps
her on schedule - where she
needs to be, she helps
manage the pain from her
back. So this is one
thing she didn't have last
year. So it's been
such a huge difference.
JS: In addition to you
and her therapist, is there
anybody else involved in her
training?
BR:
David Wilson does the
choreography. And
Astrid Jensen, she
helps with the spins; she's
one of the other coaches
here. So we have
someone who's the "spin
doctor" and making sure that
everything is to the levels
and to the requirements that
are needed, because the ISU
are changing the
rules, you know, weekly, and
I know at Skate America
there are some things up for
review and some
clarification on some
footwork issues, so we're
always trying to stay on top
of that. So we're always
making adjustments, and David
Wilson is always making
adjustments in order to make
sure we've got all the
levels.
JS: They say that
to teach is to learn twice;
what have you gained from
the experience and your
relationship with Yu-Na?
BR: Well,
I've just been so fortunate
to have such a great talent
and the only thing I need to
do with her is I have to slow her
down some times.
Because she has come from a
history of working so hard
and so many hours, I think
the mentality has been for
them "more is better" and
you get to a level where
less is better so you're
well rested. I mean,
you have to train hard, of
course. And I'm also,
just from my own experience
being a world champion, and
training, and what it
takes... She certainly has
what it takes, so I just
help manage her, and keep
her happy, and create an
opportunity for her.
JS: (Gigi asking) Is she in school here?
BR: I know
that after world's last
year, she had to stay back
at home and do some exams.
I don't think she's pursuing
school right now, unless
she's doing it by
correspondence.
So the only schooling would
be doing the
English lessons.
JS: The time
limit for you coaching her...is that open right now?
Indefinite?
BR: I believe the
goal is through
Olympics...that's been the plan
so far! You know what,
I really know that I've
helped her a lot and it's
working and she has improved
a huge amount from last year
to this year in every area.
And collectively we do
that... it's not like I'm
out there
cracking the whip. I
recognize the area that needs
to be improved, and I help
make that happen, whether
it's getting the right spin
person in, or somebody to
help with the spirals and to
make sure that David is on
track.
We then took a break as
Brian, David and Yu-Na checked out
the newly-delivered costumes
for her short program.
They were enthusiastically
received!
JS: What went into
her deciding on her
music for this
season?
BR: In the short
program, it's a waltz by
Strauss ("Die Fledermaus"). It's just very
lyrical and I think it's
perfect for her, especially
for a short program which is
the spins and the spirals,
and then of course the
elements, the tricks, as far
as the jumps go, it all fits
in perfect for her.
And then we found this
really great version of
"Miss Saigon" for the long
-
it's a piano concerto
version of it. It's
powerful and it's intense
and it's lovely and she
knows the story, so that's
the free program.
JS: It sounds like
has a fair bit of input. Did she
choose the programs?
BR: Ah (chuckles)...we
encourage her to look for
music and then David usually
has the best ideas, so we
always have to create an
environment to make a really
great sales pitch. So
we never say "This is it",
we kind of help her build a
program that's fabulous and
we put it on the ice and we
skate around to it.
David is really good at
doing the sales pitch, so
when he believes in
something, it's full steam
ahead!
JS: It's hard to
turn that down, I'm sure!
BR: Yeah, when he
has that much enthusiasm!
So
he just put both these programs
together. She had
another idea for the short,
but David had the idea for
the waltz, which she had not
even thought of. So we
had maybe ten or twelve
waltz ideas, so we
narrowed it down, and they
were all good choices, and
she loves them.
They're really stunning.
JS: This season, is
there one area of
improvement that she's
looking to achieve?
BR: Ah, the spiral
sequence is much better this
year... it's just the
flexibility, and just her
consistency... she's much
stronger this year,
physically stronger; she's
taller. And
she's just really solid this
year. Last year,
heading into some of the
events, you know... you kind
of hold your breath in a
couple spots. This
time, I have just all the
confidence because of the
training, and she backs up
the training... I mean she
just did a clean short and
long in the last session.
And she'll go out in the
next session and do the
same again, two longs and
two shorts, boom boom!
And
then she runs through all
the jumps afterwards, and
she'll do the stroking
afterwards, and I do it with
her, so it's good for me
too. She just has
incredible stamina.
JS: You mentioned
her growth spurt. Have
you had to readjust
anything? Has it been
difficult for her?
BR: No, it's been
great. Because of the
trainer and the physical
therapist, I think they have
been strengthening alongside
of her growth spurt, so
there hasn't been one
problem at all and it hasn't
thrown off her jumps at all.
The extra training that they
have been doing, which has
been daily for three or four
hours a day, it shows up in
the jumps. But
she's just really solid.
JS: Is there a
specific goal in terms of
scores or placement this
season?
BR: She'll never
commit to that.
I've heard her do
interviews, and I've read
some interviews, and she
always seems to be very
flattered when she gets the
great scores, and she's
always surprised.
When they ask if she wants
to win, she just wants to
skate well. It's
admirable... do I think she
wants to win? Of
course I think she wants to
win. I think she has
that in her, as far as her
desire to compete... to win,
her desire to know exactly
what her competition is
doing, and where they are,
she knows (chuckles)!
JS: (Gigi asking) So in your
training plans, you actually
go through other people's programs, and
analyze what she needs to
do?
BR: No... we
analyze a little bit what is
being done with other
people, and I think she is
constantly on YouTube.
But
I was the same way too, I
always had an interest in
what Brian Boitano was
doing, you know, what his
program was and what is
music selection was and what
his choreography was like
and who did it, and where
they're training, you know?
And she does the same...that's just
because she's a
good competitor. And you
can't dismiss that, you have
to be on top of that,
especially nowadays.
JS: Can you
describe a typical training
day in Yu-Na's life when
she's here in Toronto?
BR: Well, I see her
only at the rink, and
socially we don't mix at
all... We've gone to dinner a
couple of times when maybe
her agent's in town, but
David has socialized more
with her and has taken her
to see some theatre, but I
only see her here. I'm
always in here in the
morning because I teach in the
morning and I'll see her
wander in around 10:15 to be
on the ice at 12:15.
She has two hours of off-ice
training and warming up,
then she'll do an hour and a
quarter on the ice, hard,
intense, and then she'll
have her break right now,
which is lunch and a rest.
Then she comes
out and skates again for
another hour and a half.
Then they go back to the gym
again for at least an hour.
Then they'll go home, and
I'm guessing they'll do
massage and any kind of
hands-on treatment.
JS: And this will
be five days, or six days?
BR: Five days of
that type of thing, and on
Saturday we do a half day.
So she'll come in and she'll
do a light warm-up or
light training off the ice
and then she'll do a one
hour session on the ice.
And then... I have no idea
what they do!
JS: It sounds like
she leads a fairly normal
social life for a teenaged
girl.
BR: Yeah. She
must do some things on her
computer. I don't know
if she has really any friends...
I know that she live in a
community not far from here
where there's a large Korean
community. I don't
even know where, I've never
been to their place.
They arranged all that on
their own, they got their
own car, they did all that,
they were very organized
that way. They have
all my flights and
everything all organized for
the competitions.
JS: The injuries
that have nagged for last
year or so, is she basically
beyond those?
BR: I don't think
she'll ever be beyond them,
but she works ahead of the
problem. She doesn't
wait until she's really
injured, where last year,
when she was home, around
the Grand Prix Final time,
is when she really got
injured, and she tried to
work through it, but she
didn't have her massage
person and her trainer and
so that's where it just got
beyond... it got out of
control . Now she's in
control of this. We
have a pattern. At the
beginning of the week it's
great. What's today,
Wednesday? I always
check before we start how's
the injury, we do a scale
from one to ten. So
today there was a little bit
of pain; tomorrow there'll
be a bit more, and then
Friday it will be even more.
So we also have to plan our
competition days and our
weeks, and what days to rest
so we can do a long program
without any pain.
JS: About the
competitions... are you
happy with her assignments
this year? Is she happy with
what she's been given?
BR: She's not happy
with them! She wanted
to be closer to here, which
is what she calls home now.
She was hoping to get a
Skate America or Skate
Canada...and everybody wants
to do Paris! But she
had those last year, so you
know what, she has to pay
her dues, and she's probably
low girl on the totem pole
when it comes to that
selection. Because
probably Mao got her first
picks, and Miki got her first
picks. But she'll be
fine. It's a long way
to go. We have to go to
China, and then we'll stay
in Korea after that for a
week, and then go to Moscow.
So we actually have all
kinds of options on where to
go in between, whether to go
away to Russia to spend a
week there, or we thought
about going to Germany for a
week, or going to Seoul for
a week. So we decided
to go to Seoul.
JS: It's closer to
home.
BR: Yeah, at least she gets to
go home and she knows where
she's going to be; I just
want to make sure we know
where we're going to be
training and we can get the
ice in a half-decent
environment.
JS: How does she
deal with the tremendous
surge of interest from those
in Korea?
BR: She's
flattered. It's
overwhelming sometimes for
me, because as you know this
is
a private club, so I have to
be careful about people
coming in, but there'll be
three or four times a year
when the Korean press will
come. It's organized
through her agency, but
we'll have three or four TV
stations, then we'll have
some print people, then
we'll have radio people, so we'll have
maybe fifteen or twenty
bodies coming through the
club, with the members kind
of looking around like
"What's going on?" So
they come out and they film
her, and they also go to the
gym with her, and they do
the interviews with us.
At least it's organized,
but there's a huge interest,
that's for sure, and she
handles it very well.
But I'm finding now that
sometimes I
have to be the
"bad guy", and because we're
into the final stretch of
these Grand Prix's, she
really wants to be just
focused on her stuff.
And that's her.
JS: Is she
developing a lot of grace
when dealing with the media?
BR: Yeah...well you
know what you're going to
find this year? I
think it was a little
frustrating for the media
before, other than the
Korean media, that she was
just so painfully shy, but
now... I know she has a
sense of humour and she can
answer the questions with
confidence, so you'll see a
difference in her...I know
that, with her confidence
level.
JS: Does she feel
that
there's any pressure on her
as a role model for Koreans
to look up to? I know
you can sing a few bars of
that tune... how does she
feel about that?
BR: She knows that
she is a role model for all
the Korean kids and also the
sport of figure skating in
Korea. How she feels
about that I don't know, but
she does have that
awareness, I know that.
Cause I've been with her now
twice to Korea, and it's
really incredible, and then
these days with the number of
kids that are skating now.
Here at the club we had, I
think, eleven kids
that came that skated here
from Yu-Na's club, little
ones, and then another nine
or ten
that went up to Barrie and
skated in that club.
So you've got over
twenty kids in summer that
came and spent ten or eleven
weeks, and they skated every
ounce of ice they could.
Incredible! And there
were some good skaters,
actually. There was
one little boy that's
really, really good. I
mean, this kid's only ten
years old. But I bet you Yu-Na
was doing some great things
when she was ten!
JS: Do you if
she considers one
performance or competition
to be her career highlight
to date?
BR: She probably
agrees that it was the short
program last year.
That was really the only
really great show-stopper
that she had, I think.
She had a couple of good
short programs, but not....
I mean, all the long
programs were all different,
from one to the next to the
next. But last
year, that was a little bit
frustrating, that was all
because of the triple loop
that she now seems to have
pretty well under control,
knock on wood! So our
plan this year is just to
"stick to the plan".
We don't need to have all
these options of "if I miss
this and I do this"... she
could have potentially got
herself into a lot of
trouble last year at Worlds
because she made a few
changes that could have been
disaster, so she's training
to do it right the first
time. That's the plan!
JS: Do you know of
any heroes or role models of
Yu-Na?
BR: No I don't
actually. I have no
idea. I've also heard
that she has a great singing
voice! I didn't know
that...I've never heard her
sing. I heard that
about her.
JS: Any
superstitions? Warming
up? Things she does
repeatedly?
BR: I haven't
noticed anything.
Because I'm quite
superstitious myself so I'd
pick up on things.
We're very low-key, and
that's where I
came from, and that's the
way I know we've got a
pretty good rapport...
because I'm low-key.
That's why her mother,
through a translator, has
said that's why they want me
is because I don't say much.
I'm not in her face telling
her how to do things, and
fixing the Lutz or whatever,
you know. I'm there
for her, and I do a lot of
things around here to get
things done for her.
JS: (Gigi asking) What is her
learning style? What
works better?
BR: Just her drive, her
desire. I think last
year she was frustrated
because of her injuries so
she couldn't move forward as
much as she wanted to.
This year, they feel
that the injury in control,
that they can continue to
move forward, and there are
no setbacks. When she
had a setback last year
before Worlds, I felt so bad
for her, because we could
only skate twenty minutes, and
that was it. She'd
literally have to get off
the ice cause she couldn't
even put her weight on her
foot because of her back.
So it was frustrating, and I
was just wanting to get her
there, and hopefully
adrenaline could take over.
So this year she's just
moving forward and getting
better. And also this
year we started working with
Evelyn
Hart,
the very famous Canadian
prima ballerina. So
there's Karen Kain and
Evelyn Hart in the same
genre. And we've been
bringing Evelyn in to work
with Yu-Na, and it's been so
great. And they'll do
sessions of three hours.
And Evelyn was like "What
can I do with her?" and I
said "Just you wait" and
they just started working
together and it was so
magical, it was beautiful.
And they got it. Yu-Na
got it with her, Evelyn got
it with Yu-Na and they just
spoke the same international
language of movement so it
was really great. So
we just worked on tiny
little details. Evelyn
would be on the floor over
here and Yu-Na'd be on the
ice. And they've
worked on tiny little things
and bring out some props and
things for her to feel
movement; it was great.
JS: Do you know any
of her friends in skating?
I always ask the girls this.
BR: I don't know.
But that's going to develop.
And I know that she is
fairly cordial with the
Japanese girls, but when I'm
at an event she's usually
with her mom. But, I mean, she just
turned 17.
JS: Regarding the
rivalry with the Japanese
team, it really doesn't
affect her in terms of how
she deals with them?
BR:
Certainly fuels her, that's
for sure! (laughs)
JS: (Gigi)
But in a good way!
BR: In a good
way...it's great, you know
what, it's like with
Brian Boitano and I... at
least it was only one of
him, thank God! She's
got two to deal with, at
least, anyway. But it
just brings the sport up.
The levels just keep going
up because they're
challenging each other.
Can you imagine by 2010,
where these girls are going
to be? They both...all three of
them have that drive.
I think two of them are a
little more driven, but it's
going to be great.
It's great for the sport.
I can reminisce a little bit
with Yu-Na about my
relationship with Boitano,
and how much it just would
drive me. There were days
when I really wouldn't want
to get on the ice, and I
thought "I bet you he's on
the ice right now"!
JS: Just a couple
for you Brian.
(Referring to his rebuilt
wrist) I hear you have
to make airports aware of
your new hardware when you
travel!
BR: Yeah, it's
fine. It was just a
little bit of a setback.
I was just teaching and slipped, it was just one of
those things.
JS: Do you have any
other students?
BR: The girl down
at the end in the red dress,
she'll have a great year
this year...
and I have the pairs team that we
saw earlier, and I have
Yu-Na. And I work with
all the other kids. but I've
taken on my own students
pretty much.
JS: You seem to
really be at peace
with your decision to stop
touring and do shows.
BR: Yeah, I'm doing
this show (laughs)... someone
caught me at a weak moment
(referring to "Skate For The
Heart" that weekend in
Connecticut). So I said
'yes' to them... kicking and
screaming "I don't want to
go!" (all laugh)
Japan Skates would like to
thank Brian Orser for giving
us this interview at such a
busy time for him.
We'd also like to thank
Yu-Na for meeting with us,
posing for some photos and
signing autographs.
Her mom had a good laugh at
the photos we had given her
as a gift, which were taken
at the 2005 World Juniors in
Kitchener (where she had
shaken like a leaf when I
asked for her photo in the
corridor!).
Gigi and I were invited to
stay and watch her training
session, which saw her work
on some spins and
transitional steps and
successfully land a triple
Salchow, triple Lutz, triple
loop, triple Lutz-triple toe
loop combination, and a
double Axel-triple toe loop
combination. All just
breath-taking to watch.
Thanks to both great
champions for their time.
Yu-Na couldn't be in better
hands, and we wish them both
all the best. |